Classics

The tulip craze of 17th century Holland has a dark side! Cornelius van Baerle, a wealthy but naïve tulip grower, finds himself entangled in the deadly politics of his time. Cornelius’ one desire is to grow the perfect black tulip. But, after his godfather is murdered, he finds himself in prison, facing a death sentence. His jailer’s lovely daughter holds the key to his survival, and his chance to produce the precious black blossom. Yet he has one more enemy to contend with! […]

Wallace Stegner’s uniquely American classic centers on Lyman Ward, a noted historian who relates a fictionalized biography of his pioneer grandparents at a time when he has become estranged from his own family. Through a combination of research, memory, and exaggeration, Ward voices ideas concerning the relationship between history and the present, art and life, parents and children, husbands and wives. Like other great quests in literature, Lyman Ward’s investigation leads him deep into the dark shadows of his own life. The result is a deeply moving novel that, through the prism of one family, illuminates the American present against the fascinating background of its past.

Set in many parts of the West, Angle of Repose is a story of discovery—personal, historical, and geographical—that endures as Wallace Stegner’s masterwork: an illumination of yesterday’s reality that speaks to today’s. […]

In 1955, with the title story and others in this critical edition, Flannery O’Connor firmly laid claim to her place as one of the most original and provocative writers of her generation. Steeped in a Southern Gothic tradition that would become synonymous with her name, these stories show O’Connor’s unique view of life—infused with religious symbolism, haunted by apocalyptic possibility, sustained by the tragic comedy of human behavior, confronted by the necessity of salvation. These classic stories—including “The Life You Save May Be Your Own,” “Good Country People,” and “The Displaced Person,” among others, are sure to inspire future generations of fans and remind existing readers why she remains a master of the short story. […]

Pi Patel is an unusual boy. The son of a zookeeper, he has an encyclopedic knowledge of animal behavior, a fervent love of stories, and practices not only his native Hinduism, but also Christianity and Islam. When Pi is sixteen, his family emigrates from India to North America aboard a Japanese cargo ship, along with their zoo animals bound for new homes. The ship sinks. Pi finds himself alone in a lifeboat, his only companions a hyena, an orangutan, a wounded zebra, and Richard Parker, a 450-pound Bengal tiger. Soon the tiger has dispatched all but Pi, whose fear, knowledge, and cunning allow him to coexist with Richard Parker for 227 days lost at sea.

When they finally reach the coast of Mexico, Richard Parker flees to the jungle, never to be seen again. The Japanese authorities who interrogate Pi refuse to believe his story and press him to tell them “the truth.” After hours of coercion, Pi tells a second story, a story much less fantastical, much more conventional-but is it more true?

Life of Pi is at once a realistic, rousing adventure and a meta-tale of survival that explores the redemptive power of storytelling and the transformative nature of fiction. It’s a story, as one character puts it, to make you believe in God. […]