Classics

A couple’s life and love are destroyed when they win the lottery in this tragic tale of turn-of-the-century San Francisco.

McTeague and Trina are in love, and with the modest income from McTeague’s dentistry office, their needs are few. But when Trina wins a small fortune from a lottery ticket, jealousy and distrust begin to unravel their happy home. As tension erupts between McTeague and Trina’s cousin Marcus, Trina’s impulse to save her winnings slowly gives way to a pathological obsession with hoarding money. Betrayed and destitute, the couple embarks on a journey down a path of violence, theft, and murder.

Considered transgressive for its brutality and sordid subject matter upon first publication in 1899, McTeague has since served as the basis for the films Greed (1924) by Erich von Stroheim and Slow Burn (2000), starring Minnie Driver and James Spader. Widely acclaimed as Frank Norris’s masterpiece, the novel was hailed as “a literary masterpiece” by the New York Times.

Irene Redfield is living an affluent, enviable life with her husband and children in the thriving African American enclave of Harlem in the 1920s. That is, until she runs into her childhood friend, Clare Kendry. Since they last saw each other, Clare, who is similarly light-skinned, has been “passing” for a white woman, married to a racist man who does not know about his wife’s real identity, which she has chosen to hide from the rest of the world. Irene is both fascinated and repulsed by Clare’s dangerous secret, and in turn, Clare yearns for Irene’s sense of ease and security with her Black identity and community, which Clare gave up in pursuit of a more advantageous life, and which she can never embrace again. As the two women grow close, Clare begins to insert herself and her deception into every part of Irene’s stable existence, and their complex reunion sets off a chain of events that dynamically alters both women forever.

In this psychologically gripping and chilling novel, Nella Larsen explores the blurriness of race, sacrifice, alienation, and desire that defined her own experience as a woman of mixed race, issues that still powerfully resonate today. Ultimately, Larsen forces us to consider whether we can ever truly choose who we are.

Joseph Conrad’s multilayered masterpiece tells of one nation’s violent revolution and one hero’s moral degeneration. Conrad convincingly invents an entire country, Costaguana, and sets it afire as warlords compete for power and a fortune in silver.

Señor Gould, adamant that his silver should not become spoil for his enemies, entrusts it to his faithful longshoreman, Nostromo, a local hero of sorts whom Señor Gould believes to be incorruptible. Nostromo accepts the mission as an opportunity to increase his own fame. But when his exploit fails to win him the rewards he had hoped for, he is consumed by a corrupting resentment.

Nostromo, relevant both as literature and as a brilliant social study, ambitiously brings to life Latin American history and the politics of an underdeveloped country.