The final Library sponsored meeting of Enjoying the Classics was held Wednesday, January 18, 2023. Please consider joining one of our other book clubs for future opportunities.
Passionate readers meeting to discuss enduring ideas: a vision shared in the 1940s by two University of Chicago educators Robert Maynard Hutchins and Mortimer Adler.
One of William Faulkner’s finest novels, As I Lay Dying, originally published in 1930, remains a captivating and stylistically innovative work. The story revolves around a grim yet darkly humorous pilgrimage, as Addie Bundren’s family sets out to fulfill her last wish: to be buried in her native Jefferson, Mississippi, far from the miserable backwater surroundings of her married life. Told through multiple voices, As I Lay Dying vividly brings to life Faulkner’s imaginary South, one of literature’s great invented landscapes, and is replete with the poignant, impoverished, violent, and hypnotically fascinating characters that were his trademark. Along with a new Foreword by E. L. Doctorow, this edition reproduces the corrected text of As I Lay Dying as established in 1985 by Faulkner expert Noel Polk. […]
E. M. Forster’s celebrated social comedy explores romantic intrigue and prim propriety among a colorful cast of Edwardian characters. Lucy Honeychurch, a young English woman traveling in Italy with her stuffy chaperone aunt, finds herself constrained by the claustrophobic influence of her British guardians and attracted to the free-spirited George Emerson, whose family’s radical politics make him entirely unsuitable. Sharing a spontaneous moment of passion with him in the Italian countryside, Lucy is soon at war with the snobbery of her class and her own conflicting desires. Back in England, she is courted by a more acceptable, if stifling, suitor, and soon realizes she must make a final choice for her life between convention and passion. […]
Regarded by many as the finest, and funniest, comic novel of the twentieth century, Lucky Jim remains as trenchant, withering, and eloquently misanthropic as when it first scandalized readers in 1953. This is the story of Jim Dixon, a hapless lecturer in medieval history at a provincial university who knows better than most that “there was no end to the ways in which nice things are nicer than nasty ones.” Kingsley Amis’s scabrous debut leads the reader through a gallery of emphatically English bores, cranks, frauds, and neurotics with whom Dixon must contend in one way or another in order to hold on to his cushy academic perch and win the girl of his fancy. […]
A compelling portrait of the perfect English butler, who, at the end of his career in postwar England, reviews his life and secretly questions the “greatness” of the nobleman he served. This Booker Prize-winning novel is now a Merchant-Ivory film starring Anthony Hopkins and Emma Thompson. […]
The definitive edition of the classic novel of love during wartime, featuring all of the alternate endings: “Fascinating…serves as an artifact of a bygone craft, with handwritten notes and long passages crossed out, giving readers a sense of an author’s process” (The New York Times).
Written when Ernest Hemingway was thirty years old and lauded as the best American novel to emerge from World War I, A Farewell to Arms is the unforgettable story of an American ambulance driver on the Italian front and his passion for a beautiful English nurse. Set against the looming horrors of the battlefield—weary, demoralized men marching in the rain during the German attack on Caporetto; the profound struggle between loyalty and desertion—this gripping, semiautobiographical work captures the harsh realities of war and the pain of lovers caught in its inexorable sweep.
Ernest Hemingway famously said that he rewrote the ending to A Farewell to Arms thirty-nine times to get the words right. This edition collects all of the alternative endings together for the first time, along with early drafts of other essential passages, offering new insight into Hemingway’s craft and creative process and the evolution of one of the greatest novels of the twentieth century. Featuring Hemingway’s own 1948 introduction to an illustrated reissue of the novel, a personal foreword by the author’s son Patrick Hemingway, and a new introduction by the author’s grandson Seán Hemingway, this edition of A Farewell to Arms is truly a celebration. […]
One of the most important and enduring books of the twentieth century, Their Eyes Were Watching God brings to life a Southern love story with the wit and pathos found only in the writing of Zora Neale Hurston. Out of print for almost thirty years—due largely to initial audiences’ rejection of its strong black female protagonist—Hurston’s classic has since its 1978 reissue become perhaps the most widely read and highly acclaimed novel in the canon of African-American literature.
A PBS Great American Read Top 100 Pick
“A deeply soulful novel that comprehends love and cruelty, and separates the big people from the small of heart, without ever losing sympathy for those unfortunates who don’t know how to live properly.” —Zadie Smith […]
In 1871 Utah, young Jane Withersteen is courted by Elder Tull, the leader of her polygamous Mormon church. When Jane refuses, the local Mormons persecute her. Meanwhile, Jane’s friend, Bern Venters, is captured by Tull’s posse and faces a harsh sentence. Jane defends him, causing even more friction with the Mormon populace. Enter Lassiter, a friend to Venters and an infamous gunslinger. His appearance causes Tull and his men to release Venters and flee – sparking a conflict that leaves Jane questioning her loyalties, Venters finding love, and Lassiter seeking revenge. […]
Wealthy and old, Martin Chuzzlewit, Sr., is surrounded by greedy relatives hoping to obtain a portion of his estate upon his death. His two descendants, Martin, Jr., and Jonas, have been born and bred in the same heritage of selfishness, the Chuzzlewit tradition.
Set partly in America, of which Dickens offers a searing satire, this novel follows and contrasts the opposing fates of Martin and Jonas. While one achieves worldly success and, eventually, moral redemption, the other sinks deeper into the darkness—and pays the ultimate price.
This powerful black comedy is a tale of hypocrisy, greed, and blackmail, and it introduces the most famous of Dickens’ grotesques: Mrs. Gamp. […]
Barcelona, 1945—just after the war, a great world city lies in shadow, nursing its wounds, and a boy named Daniel awakes on his eleventh birthday to find that he can no longer remember his mother’s face. To console his only child, Daniel’s widowed father, an antiquarian book dealer, initiates him into the secret of the Cemetery of Forgotten Books, a library tended by Barcelona’s guild of rare-book dealers as a repository for books forgotten by the world, waiting for someone who will care about them again. Daniel’s father coaxes him to choose a volume from the spiraling labyrinth of shelves, one that, it is said, will have a special meaning for him. And Daniel so loves the novel he selects, The Shadow of the Wind by one Julian Carax, that he sets out to find the rest of Carax’s work. To his shock, he discovers that someone has been systematically destroying every copy of every book this author has written. In fact, he may have the last one in existence. Before Daniel knows it his seemingly innocent quest has opened a door into one of Barcelona’s darkest secrets, an epic story of murder, magic, madness and doomed love. And before long he realizes that if he doesn’t find out the truth about Julian Carax, he and those closest to him will suffer horribly.
As with all astounding novels, The Shadow of the Wind sends the mind groping for comparisons—The Crimson Petal and the White? The novels of Arturo Pérez-Reverte? Of Victor Hugo? Love in the Time of Cholera?—but in the end, as with all astounding novels, no comparison can suffice. As one leading Spanish reviewer wrote, “The originality of Ruiz Zafón’s voice is bombproof and displays a diabolical talent. The Shadow of the Wind announces a phenomenon in Spanish literature.” An uncannily absorbing historical mystery, a heart-piercing romance, and a moving homage to the mystical power of books, The Shadow of the Wind is a triumph of the storyteller’s art. […]
A novel of rare genius, The Man with the Golden Arm describes the dissolution of a card-dealing WWII veteran named Frankie Machine, caught in the act of slowly cutting his own heart into wafer-thin slices. For Frankie, a murder committed may be the least of his problems. The literary critic Malcolm Cowley called The Man with the Golden Arm “Algren’s defense of the individual,” while Carl Sandburg wrote of its “strange midnight dignity.” A literary tour de force, here is a novel unlike any other, one in which drug addiction, poverty, and human failure somehow suggest a defense of human dignity and a reason for hope. […]
